Anita Bacic — Wind/ing
Anita Bacic explores zoetropes, praxinoscopes and flipbooks.
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Anita Bacic explores zoetropes, praxinoscopes and flipbooks.
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Javier Aparicio Lorente creates an opening sequence for SeeLanka.
Lisa Vertudaches wishes you a Merry Christmas.
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Luke Cavalan brings hip hop and stop animation together.
Kumbee Choi works with lines and colours to make the inanimate animate.
Sarah Bayley creates an onomatopoeic and typographic rendition of John Cage’s infamous Four Minutes and Thirty-Three Seconds (4’33”).
Amanda Brown fuses dance, sculpture and video in a dance of light, people and material.
Ainslie Henderson delves into the world of stop motion animation.
Csilla Biro introduces the Annals of Applied Unusual Natural Phenomenology.
Charlotte Broomfield-Payne explores our compulsion to distinguish basic human actions into right and wrong.
Kimberley Grant uses 35mm film in her explorations of people, places and adventures.
Freddy Taylor re-establishes space as a contemporary art driven platform.
Neta Cohen presents a look into our unconditional love of being connected.
Dani Wolf communicates by morphing text and shape through sophisticated animation.
Brianna Lowe reinterprets appropriate imagery through 3D animation and collage.
Jenny McClure mixes handmade marks with digital processes to produce a visual language which is bold and graphic.
Katie Charter challenges the medium of animation and how we interact with a narrative.
Jon Cleave explores invisible electronic fields to help understand its properties, characteristics and infrastructure as a visual language.
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Tom Bresolin is a self confessed anarchist, using art to try and explore societal power structures.
Joe Etchell draws inspiration from intermediate communities in his various video works.
Mika Tohmon works across various digital media to produce surreal yet intensely emotional images.
Ben Farquharson is a multi-discipline artist: using mixed media, sound installation and video to examine the decomposition and entropy of already digested information.
